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Guy Fawkes, No 1: the Conspirators Armed (colour litho)
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Guy Fawkes, No 1: the Conspirators Armed (colour litho)
3638196 Guy Fawkes, No 1: the Conspirators Armed (colour litho) by Merry, Tom (c.1852-1902); Private Collection; (add.info.: Guy Fawkes, No 1: the Conspirators Armed. Satire on Gladstones support for Irish Home Rule, 1887.); Look and Learn / Elgar Collection
Media ID 22974888
© Look and Learn / Elgar Collection / Bridgeman Images
Cellar Charles Stewart Parnell Conspiracy Conspirators Digging Gunpowder Plot Guy Fawkes Irish Home Rule Liberal Prime Minister Tunneling Underground William Ewart Gladstone William Gladstone William O Brien William Obrien William Vernon Harcourt John Morley
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EDITORS COMMENTS
This colorful lithograph titled "Guy Fawkes, No 1: the Conspirators Armed" by Tom Merry is a satirical representation of the Gunpowder Plot and its political implications in 19th century Britain. The print, part of a private collection, captures the essence of Victorian politics and social commentary. The image depicts a cellar where the conspirators are armed and ready for their clandestine activities. It serves as a scathing satire on Prime Minister William Ewart Gladstone's support for Irish Home Rule in 1887. The artist cleverly uses caricature to portray prominent politicians such as Tim Healy, William O'Brien, and Charles Stewart Parnell among others. The cartoonish style adds an element of humor to this historical event while highlighting the tensions between Ireland and Britain during that time. The intricate details showcase the conspirators digging tunnels underground, symbolizing their secret plans to undermine British rule. Through this satirical drawing, Merry criticizes Gladstone's liberal policies towards Ireland by associating him with Guy Fawkes - infamous for his failed attempt to blow up Parliament in 1605. This print reflects not only political turmoil but also provides insight into British culture and European politics of that era. Overall, "Guy Fawkes, No 1: the Conspirators Armed" is an intriguing piece that combines history with artistry to offer viewers a glimpse into one aspect of Victorian society - its complex relationship with Ireland and ongoing debates surrounding home rule.
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