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Representation of St. Catherine of Siena in front of Pope Gregoire XI a Avignon Fresco by
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Representation of St. Catherine of Siena in front of Pope Gregoire XI a Avignon Fresco by
LRI4690955 Representation of St. Catherine of Siena in front of Pope Gregoire XI a Avignon Fresco by Giovanni Donato da Montorfano (1460-1502) Bezel of the Bolla chapel, left nave (st Catherine of Siena in front of pope Gregory XI in Avignon) Frescoe by Giovanni Donato da Montorfano (1460-1502), left nave) Milan, left nave) Milan, Basilica di Santa Maria delle Grazie Italy by Montorfano, Giovanni Donato (1440-1510); Santa Maria delle Grazie, Milan, Italy; (add.info.: Representation of St. Catherine of Siena in front of Pope Gregoire XI a Avignon Fresco by Giovanni Donato da Montorfano (1460-1502) Bezel of the Bolla chapel, left nave (st Catherine of Siena in front of pope Gregory XI in Avignon) Frescoe by Giovanni Donato da Montorfano (1460-1502), left nave) Milan, left nave) Milan, Basilica di Santa Maria delle Grazie Italy); Luisa Ricciarini; Italian, out of copyright
Media ID 22827298
© Luisa Ricciarini / Bridgeman Images
Christendom Encounter International Relations Religious Good Sister Saint Catherine Of Siena Aureole Catholic Religion Quattrocento
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EDITORS COMMENTS
This print showcases the stunning fresco titled "Representation of St. Catherine of Siena in front of Pope Gregoire XI a Avignon" by Giovanni Donato da Montorfano. The artwork, located in the left nave of Basilica di Santa Maria delle Grazie in Milan, Italy, beautifully captures an important moment in history. In this scene, St. Catherine of Siena stands before Pope Gregory XI during their encounter in Avignon. The artist skillfully depicts the intensity and significance of this meeting through his masterful use of color and composition. St. Catherine's aureole shines brightly around her head as she engages with the pope, symbolizing her holiness and divine connection. This representation not only highlights her role as a prominent figure within Catholicism but also emphasizes her influence on international relations during the Renaissance period. The painting exudes a sense of reverence and spirituality that is characteristic of religious art from the Quattrocento era. It serves as a testament to both Montorfano's artistic talent and his deep understanding of Christian iconography. Overall, this print offers viewers a glimpse into an extraordinary moment between two influential figures in history – St. Catherine of Siena and Pope Gregory XI – while showcasing the beauty and intricacy found within Italian Renaissance art.
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