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The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
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The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
995599 The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake, William (1757-1827) (after); 39.3x57 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright
Media ID 22521024
© Fitzwilliam Museum / Bridgeman Images
Alighieri Canto Circle Comedy Corrupt Dante Devil Devils Divine Inferno Mauling Official Officials Purgatory Romanticism Romanticist Satanic Underworld Virgil Winged Xxii
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The Circle of the Corrupt Officials - The Devils Mauling Each Other, Canto XXII
EDITORS COMMENTS
. This print captures a mesmerizing illustration from William Blake's engraving series based on Dante Alighieri's epic poem, "The Divine Comedy". In this particular scene, we are transported to the depths of Purgatory, where corrupt officials face their poetic justice. As our eyes delve into the intricate details of this artwork, we witness a chaotic and macabre spectacle. Winged devils viciously maul each other in an eternal struggle for dominance. Their grotesque forms intertwine with one another as they embody the very essence of corruption and evil. Blake's interpretation skillfully brings to life Dante's vivid imagination. Through his masterful use of line and form, he captures the essence of these satanic characters trapped in their own self-inflicted torment. The intensity emanating from this piece is palpable; it serves as a stark reminder that no sin goes unpunished. Dante Alighieri's "The Divine Comedy" remains a timeless masterpiece that explores themes of morality and redemption. This particular illustration showcases his profound understanding of human nature and its propensity for corruption. Displayed at Fitzwilliam Museum in Cambridge, UK, this print invites us to contemplate our own actions and choices while immersing ourselves in the rich tapestry woven by both Dante and Blake. It serves as a testament to the enduring power of literature and art to provoke introspection even centuries after their creation
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