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Two female nudes, reclining and kneeling (The Friends), 1912 (w / c & pencil on paper)

Two female nudes, reclining and kneeling (The Friends), 1912 (w  /  c & pencil on paper)


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Two female nudes, reclining and kneeling (The Friends), 1912 (w / c & pencil on paper)

993640 Two female nudes, reclining and kneeling (The Friends), 1912 (w/c & pencil on paper) by Schiele, Egon (1890-1918); 35x46 cm; Private Collection; Photo © Christies Images

Media ID 25459766

© Christie's Images / Bridgeman Images

Bare Desire Erotic Expressionism Expressionist Friends German Expressionism German Expressionist Homoerotic Homosexual Homosexuality Homosexuals Intimate Kneeled Down Lesbian Lesbianism Lesbians Massage Reclining Tender Touch Touching Lovers Semi Nude


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EDITORS COMMENTS
This print titled "Two female nudes, reclining and kneeling (The Friends), 1912" by Egon Schiele showcases the artist's mastery in capturing the essence of desire and intimacy. The image depicts two women, their bodies intertwined in a tender embrace, as they recline and kneel against each other. Schiele's use of watercolor and pencil on paper adds depth to the piece, enhancing its sensual nature. The German Expressionist style is evident in his bold brushstrokes and expressive lines that convey raw emotion. The subjects' nudity symbolizes vulnerability while their touch signifies a deep connection between them. This artwork explores themes of homosexuality and lesbianism during a time when such expressions were often taboo. "The Friends" invites viewers to contemplate the complexities of human relationships beyond societal norms. It challenges conventional notions of beauty and celebrates love in all its forms. Through this painting, Schiele captures an intimate moment shared between two lovers with sensitivity and respect. Their closeness evokes feelings of warmth and tenderness that resonate with audiences even today. This remarkable piece serves as a testament to Schiele's artistic brilliance within the realm of homoerotic artistry, making it an important contribution to German Expressionism.

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