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The halls. The crowd of the Marche des Halles in Paris in the 19th century
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The halls. The crowd of the Marche des Halles in Paris in the 19th century
JLJ4974527 The halls. The crowd of the Marche des Halles in Paris in the 19th century. Sketch by Leon Augustin Lhermitte (1844-1925), 1895. Paris, Musee Du Pete Palais by Lhermitte, Leon Augustin (1844-1925); Musee du Petit Palais, Paris, France; (add.info.: The halls. The crowd of the Marche des Halles in Paris in the 19th century. Sketch by Leon Augustin Lhermitte (1844-1925), 1895. Paris, Musee Du Pete Palais); Photo ePhoto Josse; French, out of copyright
Media ID 23344210
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print takes us back in time to the bustling Marche des Halles in 19th century Paris. The sketch, created by the talented artist Leon Augustin Lhermitte in 1895, beautifully captures the vibrant energy of this iconic marketplace. As we gaze upon this scene, we are transported into a world filled with life and activity. The halls are teeming with a diverse crowd of people going about their daily lives - merchants selling their wares, shoppers browsing through stalls, and locals engaging in lively conversations. It is a true snapshot of French commerce and street scenes during that era. Lhermitte's attention to detail is evident as he masterfully portrays every aspect of this city view. From the intricate architecture surrounding the market to the expressions on each individual's face, his painting truly brings this moment in history to life. The image also highlights the role women played in society at that time. We see a woman prominently featured amidst the crowd, perhaps an indication of her active involvement in both domestic affairs and commercial activities. Through this remarkable artwork captured by Photo Josse, we gain insight into not only Parisian culture but also witness how art can transport us across centuries. This piece serves as a testament to Lhermitte's talent and his ability to immortalize everyday moments for generations to come.
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