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Caulinia bimaculata (Purple glycine, Glycine bimaculata). Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794

Caulinia bimaculata (Purple glycine, Glycine bimaculata). Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794


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Caulinia bimaculata (Purple glycine, Glycine bimaculata). Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794

FLO4581347 Caulinia bimaculata (Purple glycine, Glycine bimaculata). Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794. by Edwards, Sydenham Teast (c.1768-1819); (add.info.: Caulinia bimaculata (Purple glycine, Glycine bimaculata). Handcoloured copperplate engraving by Sansom after an illustration by Sydenham Edwards from William Curtis Botanical Magazine, London, 1794.); © Florilegius; English, out of copyright

Media ID 23331844

© Florilegius / Bridgeman Images


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EDITORS COMMENTS
This handcoloured copperplate engraving showcases the beauty of Caulinia bimaculata, also known as Purple glycine or Glycine bimaculata. Created in 1794 by Sansom after an illustration by Sydenham Edwards for William Curtis Botanical Magazine, London, this print is a true testament to the artistry and scientific precision of botanical illustrations from the 18th century. The delicate purple flowers of Caulinia bimaculata are expertly rendered with vibrant colors that bring them to life on the page. Each petal and leaf is meticulously detailed, allowing viewers to appreciate the intricate structure and unique characteristics of this plant species. As we gaze upon this exquisite engraving, we are transported back in time to a period when botanical knowledge was expanding rapidly. This print not only serves as a visual delight but also represents a valuable source of information about various plants that were studied during that era. The collaboration between Sansom, Edwards, and Curtis resulted in a masterpiece that continues to inspire awe centuries later. It reminds us of the importance of preserving our natural heritage and appreciating the wonders found within our flora. This handcoloured copperplate engraving is more than just an artwork; it is a window into history—a glimpse into both scientific exploration and artistic expression during one of humanity's most exciting periods: the Age of Enlightenment.

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