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Portrait of Jane Morris (1839-1914) 1865 (albumen print) (see also 265091)
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Portrait of Jane Morris (1839-1914) 1865 (albumen print) (see also 265091)
STC265085 Portrait of Jane Morris (1839-1914) 1865 (albumen print) (see also 265091) by Parsons, John R. (fl.1860s); Victoria & Albert Museum, London, UK; (add.info.: from an album of photographs posed by Dante Gabriel Rossetti (1828-82) in his garden in Chelsea, London; wife of William Morris (1834-96); Jane Burden; ); The Stapleton Collection; English, out of copyright
Media ID 22354180
© The Stapleton Collection / Bridgeman Images
Melancholy Model Muse Pensive Wicker Chair Pre Raphaelite
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EDITORS COMMENTS
This black and white albumen print, titled "Portrait of Jane Morris" captures the essence of a remarkable woman who left an indelible mark on the Victorian era. Taken in 1865 by John R. Parsons, this photograph is part of an album curated by Dante Gabriel Rossetti in his picturesque garden in Chelsea, London. Jane Morris, born Jane Burden, was not only the wife of renowned artist William Morris but also a muse to many Pre-Raphaelite painters. In this portrait, she exudes a sense of melancholy and pensiveness as she sits gracefully in a wicker chair. Her profile is beautifully captured, emphasizing her delicate features and ethereal beauty. The Victorian era was known for its romanticism and attention to detail, both of which are evident in this photograph. The three-quarter length composition allows us to appreciate every intricate detail – from the folds of her dress to the texture of her hair. As we gaze upon this image, we can't help but be transported back in time; it serves as a window into an era that valued artistry and elegance above all else. This mesmerizing portrait immortalizes Jane Morris as more than just a model – she becomes an emblematic figure representing grace and inspiration for generations to come. Displayed at the Victoria & Albert Museum in London today, this print continues to captivate viewers with its timeless beauty and historical significance.
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