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San Giovenale Triptych: Virgin and Child, left panel with Saint Bartholomew
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San Giovenale Triptych: Virgin and Child, left panel with Saint Bartholomew
LRI4573289 San Giovenale Triptych: Virgin and Child, left panel with Saint Bartholomew and Saint Blaise, and right panel depicts Saint Juvenal (Giovenale) - altarpiece, 1422 by Masaccio, Tommaso (1401-28); Masaccio Sacred Art Museum, Cascia Reggello, Florence, Italy; (add.info.: Triptych of San Giovenale (San Giovenale Triptych or Cascia Altarpiece): " Virgin and Child" and to the left Saint Barthelemy and Saint Blaise of Sebaste, to the right the eveque Saint Giovenale of Narni and Saint Anthony the Great - (Maesta, left panel with Saint Bartholomew and Saint Blaise, and the right panel depicts Saint Juvenal (Giovenale)) Painting by Tommaso di ser Giovanni di Mone Cassai dit Masaccio (1401-1428) 1422 Museo Masaccio, Cascia di Reggello); Luisa Ricciarini; Italian, out of copyright
Media ID 23715446
© Luisa Ricciarini / Bridgeman Images
Apotre Eveque Lacrosse Saint Antoine Saint Barthelemy Martyr Strone Aureole Quattrocento
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EDITORS COMMENTS
This print showcases the San Giovenale Triptych, a masterpiece created by Italian Renaissance artist Masaccio in 1422. The left panel of the altarpiece features the iconic depiction of the Virgin and Child, accompanied by Saint Bartholomew and Saint Blaise. On the right panel, we are introduced to Saint Juvenal (Giovenale), an esteemed bishop from Narni, along with Saint Anthony the Great. Masaccio's skillful use of paint brings these religious figures to life, as their holy aura radiates from within. The delicate brushstrokes capture every detail with precision and grace, emphasizing both their divinity and humanity. The composition is enriched by a host of angelic beings surrounding the central figures, adding a celestial touch to this sacred scene. Their presence symbolizes protection and guidance for those who seek solace in faith. Through this artwork, Masaccio invites viewers into a realm where biblical characters come alive on canvas. It serves as a testament to his mastery of Quattrocento painting techniques and his ability to convey profound spiritual narratives through visual storytelling. Luisa Ricciarini's expertly captured photograph allows us to appreciate every intricate detail of this remarkable piece housed at Museo Masaccio in Cascia di Reggello, Florence. As we gaze upon it, we are transported back in time to witness firsthand the beauty and significance that art holds within our collective history.
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