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"Nu allonge"(Reclining nude) Peinture de George hendrik Breitner (1857-1923) - ca 1887 - Oil on canvas - Dim 134x224, 5 cm Gemeentemuseum Den Haag (La Haye) Pays Bas
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"Nu allonge"(Reclining nude) Peinture de George hendrik Breitner (1857-1923) - ca 1887 - Oil on canvas - Dim 134x224, 5 cm Gemeentemuseum Den Haag (La Haye) Pays Bas
FIA5394216 " Nu allonge" (Reclining nude) Peinture de George hendrik Breitner (1857-1923) - ca 1887 - Oil on canvas - Dim 134x224, 5 cm Gemeentemuseum Den Haag (La Haye) Pays Bas by Breitner, Georg-Hendrik (1857-1923); Haags Gemeentemuseum, The Hague, Netherlands; Photo © Fine Art Images
Media ID 24692602
© Fine Art Images / Bridgeman Images
Great Bed Naked Woman Rest Beds Furnish Home Furnishing Netherlands Holland Dutch Piece Of Furniture Upholstered Goods
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EDITORS COMMENTS
This print showcases George Hendrik Breitner's masterpiece, "Nu allonge" (Reclining nude), painted around 1887. The oil on canvas painting measures an impressive 134x224.5 cm and is housed in the Gemeentemuseum Den Haag in The Hague, Netherlands. Breitner, a renowned Dutch artist from the late 19th to early 20th century, skillfully captures the beauty of the female form in this artwork. The reclining nude woman exudes a sense of tranquility and rest as she lies gracefully on a bed adorned with exquisite furnishings. The colors used by Breitner add depth and vibrancy to the piece, creating an atmosphere that draws viewers into its allure. With his masterful brushstrokes, he highlights every curve and contour of the naked body while maintaining a sense of elegance and respect for his subject. This photograph allows art enthusiasts to appreciate Breitner's exceptional talent even if they cannot view the original painting in person. It serves as a reminder of how art can transcend time and space, evoking emotions and capturing moments that continue to resonate with audiences today. Bridgeman Images has expertly captured this remarkable artwork through their lens, preserving it for future generations to admire. This print is not only aesthetically pleasing but also offers insight into one of Breitner's most significant contributions to Dutch art history.
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