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Display of Treasures at Mimeguri Shrine, 1799 (woodblock on paper)
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Display of Treasures at Mimeguri Shrine, 1799 (woodblock on paper)
6437492 Display of Treasures at Mimeguri Shrine, 1799 (woodblock on paper) by Utamaro, Kitagawa (1753-1806); 38.1x24.9 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Part of triptych. Banners and a stone torii gate in the background, also a large lantern. Latter and banners with bold calligraphy contributing strikingly to the design. Left component. Three courtesans, two to left meeting and addressing the one to right. The middle figure wears striking black obi with formal designs in white. Figure to right wears a finely striped outer kimono. Background: to right rear banner with bold calligraphy and a group of trees with possibly a Temple building. Torii ends to rear of middle figure. Publisher: Nishimuraya Yohachi (Eijudo). Kiwame seal.); eMaidstone Museum and Art Gallery; Japanese, out of copyright
Media ID 24163542
© Maidstone Museum and Art Gallery / Bridgeman Images
Calligraphy Courtesan Courtier Courtiers Edo Period Gate Kimono Tokugawa Period Woodblock Hair Style
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This print captures the exquisite "Display of Treasures at Mimeguri Shrine" by Utamaro, Kitagawa. The woodblock on paper artwork, dating back to 1799, measures 38.1x24.9 cm and is housed in the prestigious Maidstone Museum and Art Gallery in Kent, UK. The triptych composition showcases a scene filled with rich symbolism and intricate details. In the background, banners flutter alongside a stone torii gate and a grand lantern, creating an enchanting atmosphere. The bold calligraphy on the banners adds a striking element to the overall design. The left component of the artwork features three courtesans engaged in conversation. Two courtesans lean towards each other while addressing their companion on the right side of the image. The middle figure stands out with her black obi adorned with formal white designs, while the figure to her right wears an elegant striped outer kimono. In addition to these figures, there are elements that contribute to the sense of place within this piece. A rear banner with bold calligraphy stands beside a group of trees that may surround a temple building in the distance. Published by Nishimuraya Yohachi (Eijudo) and bearing Kiwame seal marks for authenticity, this woodblock print exemplifies Utamaro's mastery as an artist during Japan's Edo period under Tokugawa rule. With its meticulous attention to detail and evocative portrayal of courtiers from Japanese history, this artwork offers viewers a glimpse into both cultural traditions and artistic techniques from centuries past.
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