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Self-portrait, imposed on preliminary studies for two canephori of the Steccata
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Self-portrait, imposed on preliminary studies for two canephori of the Steccata
615254 Self-portrait, imposed on preliminary studies for two canephori of the Steccata (pen & brown ink on white paper) by Parmigianino (Francesco Mazzola) (1503-40); 10.7x7.5 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright
Media ID 23546468
© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images
Beards Faces Self Portrait Self Portraits Studies Bearded
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EDITORS COMMENTS
This print showcases Parmigianino's self-portrait, superimposed on preliminary studies for two canephori of the Steccata. The artist, Francesco Mazzola, known as Parmigianino, created this exquisite piece using pen and brown ink on white paper. Measuring 10.7x7.5 cm, it is a small yet powerful representation of his artistic genius. In this self-portrait, Parmigianino presents himself with an air of confidence and mystery. His face is meticulously detailed, capturing every nuance and expression with remarkable precision. A long beard adorns his chin, adding a touch of wisdom to his countenance. The composition also includes elements of dance and movement. Two female figures in the preliminary studies appear to be dancers gracefully swaying to an invisible rhythm. This juxtaposition between the static self-portrait and the dynamic dancers creates a sense of intrigue and energy within the artwork. Parmigianino's skillful use of line work and shading brings depth and dimensionality to each figure depicted in this drawing study. The intricate details reveal his meticulous approach to capturing human form while showcasing his ability to convey emotion through art. This print offers viewers a glimpse into the mind of one of Italy's most celebrated artists from centuries past – a true testament to Parmigianino's enduring legacy in the world of fine art.
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