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A Dandy with a Francois I hairstyle and a collection of charms and trinkets

A Dandy with a Francois I hairstyle and a collection of charms and trinkets


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A Dandy with a Francois I hairstyle and a collection of charms and trinkets

AFC90689 A Dandy with a Francois I hairstyle and a collection of charms and trinkets, plate 3 in the Incroyable et merveilleuses series of fashion plates, engraved by Georges Jacques Gatine (1773-1831) published 1797 in Paris (aquatint) by Vernet, Antoine Charles Horace (Carle) (1758-1836) (after); Private Collection; French, out of copyright

Media ID 23216754

© Bridgeman Images

Beau Buck Satirical Print


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Jacques Charles

> Arts > Artists > V > Horace Vernet

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Fashion

> Europe > France > Paris > Related Images

> Fine Art Finder > Artists > Antoine Charles Horace (1758-1836)

> Fine Art Finder > Artists > Sandro (1444/5-1510) Botticelli

> Fine Art Finder > Costume & Fashion


EDITORS COMMENTS
This print showcases a dandy adorned with a Francois I hairstyle, accompanied by an intriguing collection of charms and trinkets. Plate 3 in the Incroyable et merveilleuses series of fashion plates, this artwork was engraved by Georges Jacques Gatine and published in Paris in 1797. The aquatint technique used adds depth and texture to the image, enhancing its visual appeal. The dandy exudes an air of sophistication and flamboyance, epitomizing the fashionable trends of his time. His boat-shaped hat stands out as a whimsical accessory that perfectly complements his extravagant attire. With meticulous attention to detail, Antoine Charles Horace (Carle) Vernet captures every element of this satirical scene. The inclusion of various charms and trinkets further emphasizes the dandy's penchant for luxury and ostentation. From walking sticks to canes, each item serves as both a practical tool and a symbol of status within high society circles. This engraving not only offers us a glimpse into the world of fashion during late 18th-century France but also provides valuable insights into societal norms and values at that time. It humorously portrays the beau or fop archetype while subtly critiquing their excessive indulgence in material possessions. Preserved within private collections today, this remarkable piece continues to captivate viewers with its intricate details and historical significance. Its enduring charm reminds us that art has the power to transcend time, allowing us to appreciate past eras

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