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Study from Nature: Inveruglas, 1857 (w / c on paper)

Study from Nature: Inveruglas, 1857 (w  /  c on paper)


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Study from Nature: Inveruglas, 1857 (w / c on paper)

PNH367438 Study from Nature: Inveruglas, 1857 (w/c on paper) by Paton, Joseph Noel (1821-1901); 37.5x53.3 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Scottish, out of copyright

Media ID 23248574

© Peter Nahum at The Leicester Galleries, London / Bridgeman Images

Binoculars Highlands Kilt Loch Lomond Moss Mossy Solitary Stream


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Landscapes

> Arts > Artists > P > Joseph Noel Paton

> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Landscape paintings > Rural countryside paintings

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Fine Art Finder > Artists > Joseph Noel Paton

> Fine Art Finder > Artists > Samuel Palmer

> Fine Art Finder > Scotland


EDITORS COMMENTS
This photo print, titled "Study from Nature: Inveruglas, 1857" transports us to the serene Scottish highlands. The artist, Joseph Noel Paton, skillfully captures the essence of this rural landscape with his watercolor on paper technique. Measuring at 37.5x53.3 cm, this artwork showcases a figure standing by a stream in solitude. The picturesque scene unfolds before our eyes as we witness the breathtaking beauty of Loch Lomond and its surrounding countryside. The crystal-clear river flows gently through moss-covered rocks and lush greenery, creating a harmonious blend of nature's elements. Intriguingly, the male figure is dressed in traditional Scottish attire - a kilt - adding an authentic touch to the composition. With binoculars in hand, he appears to be immersed in observing his surroundings or perhaps indulging in some birdwatching. Paton's meticulous attention to detail is evident as he masterfully portrays every mossy texture and intricate brushstroke that brings life to this painting. It feels as if we are transported into this tranquil setting ourselves; one can almost hear the gentle rustle of leaves and feel the cool breeze against their skin. This remarkable piece serves as a testament to Paton's talent for capturing Scotland's natural beauty while evoking a sense of serenity within its viewers. As it graces private collections worldwide, it continues to inspire admiration for both art enthusiasts and lovers of nature alike.

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