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The seat of Namur in Belgium in June 1692 by King Louis XIV (1638-1715

The seat of Namur in Belgium in June 1692 by King Louis XIV (1638-1715


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The seat of Namur in Belgium in June 1692 by King Louis XIV (1638-1715

JLJ4654796 The seat of Namur in Belgium in June 1692 by King Louis XIV (1638-1715) Painting by John the Baptist Martin the Elder (1659-1735) Sun. 2, 7x2 m by Martin, Jean-Baptiste (1659-1735); ChAteau de Versailles, France; (add.info.: The seat of Namur in Belgium in June 1692 by King Louis XIV (1638-1715) Painting by John the Baptist Martin the Elder (1659-1735) Sun. 2, 7x2 m); Photo ePhoto Josse; French, out of copyright

Media ID 22280278

© Josse / Bridgeman Images

Walloon Region


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> Arts > Artists > M > Jean Baptiste Martin

> Arts > Fine Art

> Europe > Belgium > Namur

> Europe > Belgium > Paintings

> Europe > France > Military

> Europe > France > Paintings

> Europe > France > Royalty

> Fine Art Finder > Artists > Jean-Baptiste Martin

> Fine Art Finder > Artists > Romanesque


EDITORS COMMENTS
This print takes us back in time to June 1692, capturing the seat of Namur in Belgium during the reign of King Louis XIV. The painting, skillfully created by John the Baptist Martin the Elder, showcases a panoramic view of this historic city. Measuring an impressive 7x2 meters, it is a true masterpiece that now resides at the Château de Versailles in France. King Louis XIV, famously known as the Sun King, ruled with grandeur and opulence during his long reign from 1638 to 1715. This painting reflects his power and influence as he oversees a battle scene unfolding before him. It provides a glimpse into both military strategy and artistic prowess. The image captures not only the king's army but also offers a unique perspective on Namur itself. The intricate details bring life to this historical moment - from soldiers engaged in combat to architectural elements that define the city's character. As we admire this piece of artistry frozen in time through photography, we are reminded of its significance within Belgian history. It serves as a testament to King Louis XIV's ambition and legacy while showcasing Martin's talent as an artist. This print allows us to appreciate both war and art simultaneously – reminding us how history can be preserved through visual representation for generations to come.

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