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Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
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Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24 / 12 / 1847 - Painting by Regis Augustin (1813-1880)
LRI4676068 Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly by Augustin, Regis (1813-1880); Musee Conde, Chantilly, France; (add.info.: Conquete of Algeria (1830-1847): the submission of Abd el Kader (Abd-el-Kader or ibn Muhyi al-Din al-Hasani (al Din al-Hasani) (1808-1883) to the Duke of Aumale and the French Armee on 24/12/1847 - Painting by Regis Augustin (1813-1880) 19th century Muscle Sun 0, 41x0, 56 m ee conde Chantilly); Luisa Ricciarini
Media ID 25161330
© Luisa Ricciarini / Bridgeman Images
Abd Al Kader Abd Al Kadir Abd El Kader 1808 1883 Abdel Kader Abdelkader Algeria Algeria Algerian Algerian Algerians Algerie Maghrebi Maghrebian Maghrebin Maghrebine Arab Civilization Maghreb Sudan
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EDITORS COMMENTS
The print captures a significant moment in history, depicting the submission of Abd el Kader to the Duke of Aumale and the French Armee on December 24,1847. Painted by Regis Augustin in the 19th century, this artwork titled "Conquete of Algeria (1830-1847): the submission of Abd el Kader" showcases an important event during French colonialism in North Africa. Abd el Kader, also known as ibn Muhyi al-Din al-Hasani, was a prominent figure in Algerian resistance against French occupation. His surrender marked a turning point in the conquest of Algeria and symbolized France's dominance over Arab civilization. In this painting, we see Abd el Kader humbly submitting to his conquerors while surrounded by members of the French army. The artist skillfully portrays both tension and resignation on Abd el Kader's face as he hands over his weapons and surrenders his power. This artwork not only depicts a historical event but also raises questions about imperialism and its impact on African nations. It serves as a reminder of the complex relationship between colonizers and colonized peoples during this period. Displayed at Musee Conde in Chantilly, France, this painting is part of an extensive collection that explores various aspects of art history. Its inclusion sheds light on an often overlooked chapter in European colonial expansion and invites viewers to reflect upon its implications for contemporary society.
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