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Portrait of the politician Georges Leygues (1857-1933) embraces the sculpted bust of Alfred Chauchard (1821-1909), a businessman founder of the department stores of the Louvre
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Portrait of the politician Georges Leygues (1857-1933) embraces the sculpted bust of Alfred Chauchard (1821-1909), a businessman founder of the department stores of the Louvre
JAB5037377 Portrait of the politician Georges Leygues (1857-1933) embraces the sculpted bust of Alfred Chauchard (1821-1909), a businessman founder of the department stores of the Louvre, from which he inherits his fortune - Drawing by Adrien Barrere (1874-1931) draws from " FANTASIO" 1925 by Barrere, Adrien (1874-1931); (add.info.: Portrait of the politician Georges Leygues (1857-1933) embraces the sculpted bust of Alfred Chauchard (1821-1909), a businessman founder of the department stores of the Louvre, from which he inherits his fortune - Drawing by Adrien Barrere (1874-1931) draws from " FANTASIO" 1925); Photo ©Jaime Abecasis
Media ID 33094390
© ©Jaime Abecasis / Bridgeman Images
Abecasis Adrien Barrere Alcoholism Barrere Adrien 1874 1931 Booze Bottle Bottles Businessman Champagne Alcohol Department Store Derision Legacy Table Towel
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EDITORS COMMENTS
In this photo print, we are transported to a moment of unlikely camaraderie and profound symbolism. The portrait depicts the esteemed politician Georges Leygues (1857-1933) embracing the sculpted bust of Alfred Chauchard (1821-1909), the visionary businessman who founded the iconic department stores of the Louvre. It is through these very stores that Leygues inherits his vast fortune. The drawing, created by Adrien Barrere (1874-1931) for his work "FANTASIO" in 1925, captures an intriguing blend of artistry and satire. Leygues' affectionate embrace of Chauchard's bust hints at a complex relationship between politics and business during this era. This image offers us a glimpse into early twentieth-century France, where wealth and power were intertwined with alcohol consumption - evident from the presence of bottles on the table towel. The vibrant colors used by Barrere add depth to this caricature-like portrayal, emphasizing both Leygues' political influence and Chauchard's entrepreneurial legacy. Through this photograph, we witness not only a meeting between two influential figures but also an exploration of themes such as wealth disparity, alcoholism, and societal derision towards those in positions of power. It serves as a thought-provoking reminder that even those who shape our society are not immune to its vices. Jaime Abecasis masterfully captures this historical moment with finesse and precision in his photography. As viewers, we are left contemplating the intricate connections between art, politics, business, and human nature itself within the context of early twentieth-century Europe.
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