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Portrait of Matidia, 119 (sculpture)

Portrait of Matidia, 119 (sculpture)


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Portrait of Matidia, 119 (sculpture)

7216103 Portrait of Matidia, 119 (sculpture) by Roman, (2nd century AD); Musei Capitolini, Rome, Italy; (add.info.: Portrait of Matidia. Colossal head of Sabinas mother and Hadrians wife. 119 AD.
Capitoline Museums. Rome. Italy.); Photo © Frank Buffetrille

Media ID 24721316

© Frank Buffetrille / Bridgeman Images

2 2nd 2nd 2nd Ii Iird Century 2 2nd Ii Iind Century 2 Century 2nd Century Faces Hairstyles Hairstyling Ii Century Iind Century Internal Anatomy Sclupture Sculptrue Sculpure Sculputre Scultpure Scuplture Scupture Scuptures Second Century Anatomist Antic Rome Antiquit Hair Style Portait Portriat The Woman


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EDITORS COMMENTS
This print showcases the "Portrait of Matidia, 119" a remarkable sculpture from ancient Rome. Created in the 2nd century AD, this colossal head depicts Matidia, Sabinas mother and Hadrians wife. The sculpture can be found at the Musei Capitolini in Rome, Italy. The image captures the essence of aristocracy and society during antiquity. Matidias elegant hairstyle and regal demeanor reflect her status as an influential figure in Roman society. Her portrait serves as a testament to the artistry and craftsmanship of that era. The photograph not only highlights the beauty of this ancient artwork but also emphasizes its historical significance. It transports us back to a time when Rome was at its peak, showcasing the intricate details of Matidias face and body with precision. As we admire this stunning piece, it reminds us of our connection to history and our fascination with ancient civilizations. The sculpture's impeccable anatomical features demonstrate both skillful sculpting techniques and an understanding of internal anatomy. Through this print by Frank Buffetrille, we are transported into a world where women like Matidia played significant roles in shaping societies. It is a tribute to Italian culture and heritage while also representing Europe's rich artistic traditions.

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