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Barbara Palmer, 1st Duchess of Cleveland, 1814 (engraving)

Barbara Palmer, 1st Duchess of Cleveland, 1814 (engraving)


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Barbara Palmer, 1st Duchess of Cleveland, 1814 (engraving)

7236113 Barbara Palmer, 1st Duchess of Cleveland, 1814 (engraving) by Lely, Peter (1618-80) (after); Private Collection; (add.info.: Barbara Palmer, 1st Duchess of Cleveland, Countess of Castlemaine, 1640-1709. Mistress of King Charles I and mother of his illegitimate children. Mezzotint engraving by Richard Earlom after a drawing in colours by William Faithorne after a portrait by Sir Peter Lely from Richard Earlom and Charles Turners Portraits of Characters Illustrious in British History Engraved in Mezzotinto, published by S. Woodburn, London, 1815.); © Florilegius

Media ID 25233652

© Florilegius / Bridgeman Images

Nobelwoman Nobilty Noble Women Nobleman Nobles Noblewoman Noblewomen 17 17th 17th 17th Xvii 18th Century C European Economic Community C European Union Circa 1600 Early 17th Century Early Xvii Century Noble Only One Person Portait Portriat Seventeeth Century Societies The Woman


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > King Charles

> Arts > Artists > C > William Charles

> Arts > Artists > E > Richard Earlom

> Arts > Artists > F > William Faithorne

> Arts > Artists > L > Peter Lely

> Arts > Artists > T > Charles Turner

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White

> Arts > Artists > William Turner

> Arts > Portraits

> Fine Art Finder > Artists > Peter (after) Lely

> Fine Art Finder > Artists > Robert Dunkarton


EDITORS COMMENTS
This engraving from 1814 showcases the elegant and enigmatic Barbara Palmer, the 1st Duchess of Cleveland. Painted by renowned artist Sir Peter Lely in the 17th century, this mezzotint engraving beautifully captures her allure and charisma. Barbara Palmer, also known as Countess of Castlemaine, was not only a mistress to King Charles I but also the mother of his illegitimate children. Her influence on British history cannot be understated. This print immortalizes her beauty and power for generations to come. The intricate details and delicate shading in this engraving are a testament to Richard Earlom's skill as an engraver. The drawing in colors by William Faithorne adds depth and dimension to the portrait, making it truly come alive. Published in London in 1815 by S. Woodburn, this print is part of Richard Earlom and Charles Turner's collection titled "Portraits of Characters Illustrious in British History Engraved in Mezzotinto". It serves as a valuable historical artifact that allows us to glimpse into the lives of influential figures from centuries past. Displayed here is just one example of Florilegius' vast collection that spans across different centuries and art movements. With its rich history and cultural significance, this artwork is sure to captivate any viewer with its timeless beauty.

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