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Sir Roger de Coverley, going to church with the Spectator

Sir Roger de Coverley, going to church with the Spectator


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Sir Roger de Coverley, going to church with the Spectator

STC373541 Sir Roger de Coverley, going to church with the Spectator, surrounded by his tenants, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Leslie, Charles Robert (1794-1859) (after); Private Collection; (add.info.: Sir Roger de Coverley was a character in The Spectator (1711) who supposedly exemplified the values of an old country gentleman; ); The Stapleton Collection; English, out of copyright

Media ID 23547402

© The Stapleton Collection / Bridgeman Images

Parish Personification Tenant Tory Hanovarian


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EDITORS COMMENTS
This print captures the essence of Sir Roger de Coverley, a beloved character from The Spectator, as he embarks on his journey to church accompanied by the Spectator himself. Surrounded by his loyal tenants and their families, Sir Roger stands tall in his role as an old country gentleman, personifying the values of a bygone era. The image transports us back to the 18th century, where we witness a scene filled with warmth and community spirit. The hanovarian architecture of the parish church serves as a picturesque backdrop for this gathering. Each tenant is depicted with utmost detail, showcasing their unique personalities and attire that reflect the fashion trends of that time. Sir Roger's presence exudes authority and benevolence; it is evident that he holds great respect within his community. As he leads this procession towards worship, one can imagine him engaging in friendly conversations with each tenant along the way. This lithograph beautifully captures not only a moment frozen in time but also represents an entire era characterized by its English Tory values. It reminds us of simpler times when communities were tightly knit and individuals like Sir Roger played vital roles in maintaining social harmony. Displayed proudly in any collection or gallery space, this print serves as both a historical artifact and an artistic masterpiece—a testament to Leslie's skillful craftsmanship and attention to detail.

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