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Ball Play of the Dahcota (Sioux) Indians, etching by Charles Kennedy Burt (1823-92)
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Ball Play of the Dahcota (Sioux) Indians, etching by Charles Kennedy Burt (1823-92)
1067953 Ball Play of the Dahcota (Sioux) Indians, etching by Charles Kennedy Burt (1823-92), by December 1850 (etching) by Eastman, Captain Seth (1808-75); 14.4x19.4 cm; Dallas Museum of Art, Texas, USA; gift of Pauline A. Pinckney; American, out of copyright
Media ID 22511338
© gift of Pauline A. Pinckney / Bridgeman Images
Ball Dakota Ethnographic Indigenous Native Americans Sioux Team Teams Ethnography
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EDITORS COMMENTS
This print titled "Ball Play of the Dahcota (Sioux) Indians" takes us back in time to witness a traditional game played by Native Americans. Etched by Charles Kennedy Burt in December 1850, this artwork offers a glimpse into the rich cultural heritage of the Sioux tribe. The image showcases a group of men engaged in an intense ball game set against a stunning North American landscape. The figures exude strength and agility as they skillfully maneuver through the field, demonstrating their prowess and teamwork. The players' determination is palpable, reflecting their deep connection to this ancient sport. As we delve deeper into this ethnographic masterpiece, it becomes apparent that it not only captures a thrilling moment but also serves as an important historical document. It sheds light on the indigenous traditions and customs that have shaped America's diverse tapestry. Displayed at the Dallas Museum of Art in Texas, USA, this etching was generously gifted by Pauline A. Pinckney. Its presence within these walls allows visitors to appreciate and honor Native American culture while acknowledging its significance within American history. Through Charles Kennedy Burt's meticulous artistry, we are transported to another era where sports were more than just games; they were expressions of identity and community bonds. This remarkable piece invites us to celebrate both the athleticism and cultural legacy of the Dahcota (Sioux) Indians.
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