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Griffon-shaped ornament with eagles head, second half of the 7th century BC (bronze)
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Griffon-shaped ornament with eagles head, second half of the 7th century BC (bronze)
LRI4640955 Griffon-shaped ornament with eagles head, second half of the 7th century BC (bronze) by Scythian, (7th century BC); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Art Scythian (Scythian civilization or Scythia): griffon-shaped ornament with eagles head. Bronze object, from the second half of the 7th century BC. Saint Petersburg, Hermitage Museum); Luisa Ricciarini; out of copyright
Media ID 23723496
© Luisa Ricciarini / Bridgeman Images
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EDITORS COMMENTS
This print showcases a remarkable griffon-shaped ornament with an eagle's head, dating back to the second half of the 7th century BC. Crafted from bronze by the Scythian civilization, this exquisite piece is currently housed in the State Hermitage Museum in St. Petersburg, Russia. The artistry and craftsmanship displayed in this ancient artifact are truly awe-inspiring. The intricate details of the griffon's body and wings, combined with the fierce expression on its eagle-like face, evoke a sense of power and majesty. It serves as a testament to the skill and creativity of these ancient metalworkers. As we delve into its historical significance, we uncover connections to both mythology and archaeology. The griffon itself is an imaginary creature that combines elements of an eagle and a lion - symbolizing strength and wisdom. Its presence on this ornament suggests that it held great importance within Scythian society. Through studying objects like this one, we gain valuable insights into past civilizations' culture, beliefs, and artistic expressions. This particular bronze artifact not only represents exceptional metalwork but also sheds light on Scythian population dynamics during that era. Luisa Ricciarini's expert photography captures every detail of this extraordinary piece without compromising its integrity or cultural significance. With her lens focused on antiquity, she invites us to appreciate not only the beauty but also the historical value embedded within such artifacts.
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