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The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas

The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas


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The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas

LRI4607757 The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas, 61x49 cm, circa 1756. Venezia, Fondazione Querini Stampalia by Longhi, Pietro (c.1701-85); Fondazione Querini Stampalia, Venice, Italy; (add.info.: The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas, 61x49 cm, circa 1756. Venezia, Fondazione Querini Stampalia); Luisa Ricciarini; Italian, out of copyright

Media ID 22536640

© Luisa Ricciarini / Bridgeman Images

Chale Mask Venetian Art


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EDITORS COMMENTS
The New World (Il mondo nuovo) - Painting by Pietro Longhi (1702-1785), oil on canvas, captures the vibrant street scene of 18th century Venice. In this masterpiece, Longhi skillfully depicts a young Venetian girl wearing an elaborate mask and costume, immersed in the bustling atmosphere of discovery and excitement. The painting showcases the artist's attention to detail, as every brushstroke brings life to the intricate patterns on the girl's dress and hat. The use of rich colors adds depth and warmth to the composition, transporting viewers back in time to experience the charm of old-world Venice. Longhi's work reflects not only his artistic talent but also his keen observation of human behavior. The masked figures that populate the painting symbolize both anonymity and freedom from societal constraints. They represent a society where individuals can reinvent themselves without judgment or consequence. This particular print is housed at Fondazione Querini Stampalia in Venice, Italy. Its small size allows for an intimate viewing experience, inviting viewers to appreciate each delicate stroke up close. Luisa Ricciarini expertly captures this iconic piece through her lens, preserving its beauty for generations to come. Her photograph serves as a testament to both Longhi's enduring legacy as well as Ricciarini's own skillful eye for capturing art.

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