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A View of the Temple of Comus at Vauxhall Gardens, engraved by Muller
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A View of the Temple of Comus at Vauxhall Gardens, engraved by Muller
STC181191 A View of the Temple of Comus at Vauxhall Gardens, engraved by Muller, re-published 1794 (colour litho) by Canaleti, (fl.18th century) (after); Private Collection; (add.info.: also known as the Chinese pavilion; gardens became fashionable after remodelling of 1732; ); The Stapleton Collection; out of copyright
Media ID 22917534
© The Stapleton Collection / Bridgeman Images
Alcove Arcade Crinoline Garden Architecture Pavilions Pleasure Public
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EDITORS COMMENTS
This vibrant and captivating print showcases "A View of the Temple of Comus at Vauxhall Gardens" a masterpiece engraved by Muller and re-published in 1794. The image takes us back to the enchanting era of the 18th century, where leisure and pleasure were paramount. Vauxhall Gardens, also known as the Chinese pavilion, became an emblematic symbol of society's indulgence in garden architecture. After its remodeling in 1732, these gardens quickly gained popularity among the elite. The Temple of Comus stands tall amidst this picturesque setting, exuding elegance and grandeur. As we delve into this visual feast, our eyes are drawn to the intricate details that bring this scene to life. Dining alcoves with tables adorned with fine delicacies provide a glimpse into lavish Georgian feasts enjoyed by those fortunate enough to visit these gardens. Crinoline-clad figures stroll along park arcades, adding a touch of gracefulness to the atmosphere. The print captures not only a moment frozen in time but also evokes a sense of nostalgia for an era long gone. It transports us back to an age when public pleasure was celebrated openly within these hallowed grounds. This stunning piece from Bridgeman Images is part of The Stapleton Collection and offers viewers an opportunity to immerse themselves in history while appreciating the artistry behind garden design, fashion trends, and societal norms that shaped this remarkable period.
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