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High Life Below Stairs: Prince Regent, later George IV, very drunk, eating supper in the kitchen of the Brighton Pavilion. Cartoon by George Cruikshank Snr, London, 1819
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High Life Below Stairs: Prince Regent, later George IV, very drunk, eating supper in the kitchen of the Brighton Pavilion. Cartoon by George Cruikshank Snr, London, 1819
528100 High Life Below Stairs: Prince Regent, later George IV, very drunk, eating supper in the kitchen of the Brighton Pavilion. Cartoon by George Cruikshank Snr, London, 1819. by Cruikshank, George (1792-1878); Universal History Archive/UIG
Media ID 25901164
© Universal History Archive/UIG / Bridgeman Images
1819 Brighton Cruikshank Cruikshank George 1792 1878 Drunk East Sussex George George Cruikshank High Kitchen Pavilion Regent Stairs Supper Dine Mealtime
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High Life Below Stairs - A Satirical Glimpse into the Excesses of Royalty
EDITORS COMMENTS
. This 19th-century cartoon by George Cruikshank Snr offers a scathing satire on the extravagant lifestyle of the British monarchy. Depicting Prince Regent, later known as George IV, in a state of drunkenness, it unveils an unexpected scene within the kitchen of Brighton Pavilion. The image portrays Prince Regent seated at a humble supper table, surrounded by bustling servants and immersed in his indulgent meal. With disheveled attire and an unmistakably intoxicated demeanor, he appears oblivious to his royal status. This satirical drawing serves as a biting commentary on the excesses and debauchery often associated with royalty during this era. Cruikshank's artistic prowess shines through in this piece, showcasing his keen eye for detail and ability to capture social critique through caricature. The exaggerated features and comical expressions add depth to the narrative while highlighting societal hypocrisy. As we delve into this historical snapshot, we are transported back to early 19th-century London—a time when Britain was both fascinated by and critical of its ruling class. Through clever wit and artistic skill, Cruikshank exposes the stark contrast between opulent palaces like Brighton Pavilion and the realities faced by those who served them. This artwork not only provides us with entertainment but also invites contemplation about power dynamics within society—a timeless theme that continues to resonate today.
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