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Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
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Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
CUL4908852 Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: Triumphs of the Mother of God or Panos de Oro: Anunciation. 1500 - 1502. (330 x 380 cm). Second tapestry in the series acquired in 1502 by Queen Joanna of Castile. Manufactured in Brussels by Pieter van Aelst in gold, silver, silk and wool. Detail of the upper left scene: God is presented with the portrait of a sinner. Flemish art. Tapestry. SPAIN. MADRID (AUTONOMOUS COMMUNITY). San Lorenzo de El Escorial. Royal Monastery of San Lorenzo de El Escorial); Photo © Maeyaert/AIC
Media ID 28652277
© Maeyaert/AIC / Bridgeman Images
1500 Anunciation Appcultura Archangel Archangels Biblical Episode Capital Sins Decorative Arts Early Modern Era El Escorial Flemish Style Gabriel Archangel Madrid Autonomous Community Message Monastery Of El Escorial Multiple People San Lorenzo De El Escori San Lorenzo De El Escorial Sinner Tapestrey Western Art Bible Story Biblical Charcter Biblical Events Biblical Figure Biblical Scene Flemish Art Flemish Artist Tapestries
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EDITORS COMMENTS
This print showcases the "Triumphs of the Mother of God or Panos de Oro" a remarkable tapestry created by Pieter van Aelst in 1500-02. The tapestry, measuring an impressive 330 x 380 cm, is part of a series acquired by Queen Joanna of Castile and was manufactured in Brussels using gold, silver, silk, and wool. In this particular detail captured in the upper left scene, we witness a powerful moment as God is presented with the portrait of a sinner. The Flemish art style shines through with its intricate details and vibrant colors. The tapestry depicts multiple people engaged in various religious scenes from biblical events. The significance of this artwork lies not only in its artistic beauty but also in its religious symbolism. It serves as a visual representation of Christian beliefs and values during the early modern era. With elements such as Gabriel Archangel's presence and references to capital sins, it offers viewers an opportunity for reflection on their own spirituality. Displayed at the Royal Monastery of San Lorenzo de El Escorial in Madrid Autonomous Community, Spain, this piece stands as a testament to Western art's rich heritage. Its inclusion within Bridgeman Images' collection allows us to appreciate both the historical context and artistic mastery behind this magnificent tapestry.
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