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The Laughter, Satirical in Colours, 1899_10_14: Award to the Readers of Laughter
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The Laughter, Satirical in Colours, 1899_10_14: Award to the Readers of Laughter
ICA4873038 The Laughter, Satirical in Colours, 1899_10_14: Award to the Readers of Laughter - Censorship, Internal Architecture, Screening, Nudite - Homemaids - Illustration by Abel Faivre (1867-1945) by Faivre, Jules Abel (1867-1945); (add.info.: The Laughter, Satirical in Colours, 1899_10_14: Award to the Readers of Laughter - Censorship, Internal Architecture, Screening, Nudite - Homemaids - Illustration by Abel Faivre (1867-1945)); Photo eCaricadoc; French, out of copyright
Media ID 23343954
© Caricadoc / Bridgeman Images
Bottom Bourgeoisie Hygiene Lingerie Modesty Nudite Overweight Screen A Journal Caricadoc Journalism
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The Laughter, Satirical in Colours, 1899_10_14 - Award to the Readers of Laughter - A Glimpse into French Society
EDITORS COMMENTS
. This print captures an engraving titled "The Laughter, Satirical in Colours" by Abel Faivre. Created in 1899, this illustration offers a satirical commentary on various aspects of French society during that time. Intriguingly complex and filled with subtle symbolism, the image depicts a group of individuals engrossed in reading a journal called "Laughter". The artist skillfully incorporates elements such as censorship, internal architecture, screening, nudity, and domesticity to convey his message. One cannot help but notice the presence of homemaids within the scene. Their portrayal highlights societal norms surrounding body image and hygiene during this era. Additionally, the caricatured figures represent different social classes within French society – from bourgeoisie readers to overweight individuals. Faivre's work cleverly explores themes of modesty and nudité (nudity), challenging prevailing notions about propriety at that time. The inclusion of screens further emphasizes how information was filtered or controlled by those in power. As we delve into this thought-provoking piece from the late 19th century, it serves as a reminder that satire has long been used as a tool for social critique. Through intricate engravings like these found in newspapers and journals of yesteryears, artists like Faivre shed light on both the strengths and shortcomings of their societies. This print allows us to appreciate not only Faivre's artistic talent but also provides valuable insights into France's cultural landscape during this transformative period.
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