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Cover of "The Laughter", Satirical in Colours
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Cover of "The Laughter", Satirical in Colours
ICA4873180 Cover of " The Laughter", Satirical in Colours, 1900_2_10: The Gotha of Laughter - Mr. Paul Deschanel - President of the Republic - Deschanel Paul - Illustration by Charles Leandre (1862-1934) by Leandre, Charles (1862-1934); (add.info.: Cover of " The Laughter", Satirical in Colours, 1900_2_10: The Gotha of Laughter - Mr. Paul Deschanel - President of the Republic - Deschanel Paul - Illustration by Charles Leandre (1862-1934)); Photo eCaricadoc; French, out of copyright
Media ID 23343958
© Caricadoc / Bridgeman Images
Deschanel French Academy Naked Woman Paul 1855 1922 Star A Journal Caricadoc Years 1900
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EDITORS COMMENTS
This print showcases the cover of "The Laughter", a satirical publication from 1900. The illustration, created by Charles Leandre, features Mr. Paul Deschanel, the President of the French Republic at that time. Leandre's artistic talent is evident in this piece as he skillfully captures Deschanel's likeness while infusing it with satire and humor. In the center of the composition stands Mr. Deschanel himself, portrayed as an angelic figure with wings spread wide. However, instead of being clad in traditional robes, he appears naked except for a sash bearing his name across his chest. This clever caricature emphasizes both his status as a statesman and his vulnerability to public scrutiny. To further accentuate the satirical nature of this artwork, Leandre includes a symbolically charged scene surrounding Deschanel. A naked woman representing France holds up a press sun above her head while various elements such as stars and angels float around them. "The Gotha of Laughter" serves not only as political commentary but also reflects on societal attitudes towards power and authority during that era in France. It offers viewers an intriguing glimpse into early 20th-century politics through artful caricature and symbolism. This fascinating historical artifact reminds us how art can be used to express complex ideas and critique those in positions of influence.
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