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Lord Sidmouth s, in Richmond Park, from Fragments on the Theory
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Lord Sidmouth s, in Richmond Park, from Fragments on the Theory
STC209650 Lord Sidmouth s, in Richmond Park, from Fragments on the Theory and Practice of Landscape Gardening, published 1816 (aquatint) (see also 209651) by Repton, Humphry (1752-1818); Private Collection; (add.info.: White Lodge, now Royal Ballet School; built c.1727 by Roger Morris as hunting lodge for George II; seat of Henry Addington, Viscount Sidmouth (1757-1844); ); The Stapleton Collection; English, out of copyright
Media ID 23361300
© The Stapleton Collection / Bridgeman Images
Deer Georgian Architecture Portico Prime Minister
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EDITORS COMMENTS
This print captures the grandeur of Lord Sidmouth's residence, nestled amidst the picturesque landscape of Richmond Park. The image is a reproduction from "Fragments on the Theory and Practice of Landscape Gardening" published in 1816 by renowned landscape designer Humphry Repton. The focal point of this composition is Lord Sidmouth's stately home, known as White Lodge, which was originally built as a hunting lodge for King George II in 1727. The neo-classical design and elegant portico showcase the architectural brilliance of this Georgian masterpiece. As we delve deeper into the frame, our eyes are drawn to a charming arcade where cows leisurely roam. Their presence adds an element of rustic charm to the scene, juxtaposing nature with man-made opulence. In the distance, deer gracefully graze amidst lush greenery, further enhancing the idyllic ambiance that permeates Richmond Park. It is fascinating to imagine Lord Sidmouth himself wandering through these very grounds centuries ago. A prominent figure in British politics during his time, he served as Prime Minister and made White Lodge his seat. This photograph not only offers us a glimpse into history but also invites us to appreciate both natural beauty and human ingenuity harmoniously coexisting within this remarkable setting. Displayed within private collections today, this aquatint print serves as a testament to Repton's mastery in capturing landscapes' essence while immortalizing Lord Sidmouth's legacy at one with nature.
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