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First World War (1914-1918): officers placed in the yard of the farm of Canny (Canny-sur-Matz) (Oise) in January 1915. The buildings are partially destroyed
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First World War (1914-1918): officers placed in the yard of the farm of Canny (Canny-sur-Matz) (Oise) in January 1915. The buildings are partially destroyed
XEE4133534 First World War (1914-1918): officers placed in the yard of the farm of Canny (Canny-sur-Matz) (Oise) in January 1915. The buildings are partially destroyed. by French Photographer (20th century); Private Collection; (add.info.: First World War (1914-1918): officers placed in the yard of the farm of Canny (Canny-sur-Matz) (Oise) in January 1915. The buildings are partially destroyed.); Stefano Bianchetti
Media ID 32013982
© Stefano Bianchetti / Bridgeman Images
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EDITORS COMMENTS
This photograph captures a poignant moment during the First World War. Taken in January 1915, it depicts officers placed in the yard of the partially destroyed farm of Canny-sur-Matz in Oise, France. The devastation caused by war is evident as the buildings stand as mere remnants of their former selves. The image portrays a sense of desolation and despair, with soldiers gathered together amidst the ruins. Their expressions reflect both weariness and determination, embodying the resilience required to endure such trying times. Each officer carries an untold story within them, representing countless lives forever changed by this global conflict. The photographer's choice to capture this scene in black and white adds depth and intensity to the composition. It emphasizes not only the physical destruction but also evokes a somber atmosphere that resonates with viewers today. As we gaze upon this historical snapshot, we are reminded of humanity's capacity for both destruction and perseverance. It serves as a powerful reminder of the sacrifices made during wartime and prompts us to reflect on our shared history. Stefano Bianchetti's masterful photography immortalizes this moment from over a century ago, allowing future generations to bear witness to its significance. Through his lens, he captures not just an image but also emotions that transcend time itself.
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