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The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)

The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)


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The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)

3700859 The Interior of the Buurkerk at Utrecht, 1644 (oil on panel) by Saenredam, Pieter Jansz (1597-1665); 60.1x50.1 cm; National Gallery, London, UK; (add.info.: The drawing above the signature represents an episode from the popular 13th-century French story of the four sons of Aymon of Dordogne. They are shown escaping on their magic horse Bayard, after one of them had killed Charlemagnes nephew.); Dutch, out of copyright

Media ID 22486960

© Bridgeman Images

Gothic Architecture Graffiti Puritanical Signature


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The Interior of the Buurkerk at Utrecht, 1644

EDITORS COMMENTS
is a captivating oil painting by Pieter Jansz Saenredam that offers a glimpse into the serene beauty of a Dutch church in the 17th century. The image showcases a spacious interior with high Gothic arches and towering columns, creating an atmosphere of grandeur and tranquility. In this scene, men can be seen scattered throughout the church, engrossed in their own thoughts or engaged in quiet conversations. A dog rests peacefully near one of them, adding a touch of warmth to the otherwise puritanical setting. The walls are adorned with intricate drawings and graffiti, hinting at the human presence within these sacred walls. Notably, above Saenredam's signature lies an intriguing drawing depicting an episode from a popular French story dating back to the 13th century. It portrays four sons escaping on their magical horse Bayard after one of them had committed a grave act against Charlemagne's family. This unexpected addition adds layers of narrative depth to an already captivating artwork. Saenredam's attention to detail shines through his meticulous brushwork and precise rendering of architectural elements. Every line and shadow contributes to capturing the essence of Gothic architecture while showcasing his technical skill as an artist. This remarkable print allows us to appreciate not only Saenredam's mastery but also provides insight into religious life during this period in Utrecht, Netherlands. Its timeless appeal continues to captivate viewers today as it

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Related Images


View looking down the Oudegracht in Utrecht, 1890-1900 (chromolitho)
View looking down the Oudegracht in Utrecht, 1890-1900 (chromolitho)

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