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Cleopatra Testing Out Poison on Condemned Prisoners, 1887 (oil on canvas)
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Cleopatra Testing Out Poison on Condemned Prisoners, 1887 (oil on canvas)
3470265 Cleopatra Testing Out Poison on Condemned Prisoners, 1887 (oil on canvas) by Cabanel, Alexandre (1823-89); 165x290 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: This painting is a typical example of l'art pompier, a derisory term for academic painting from the second half of the 19th century.); © Art in Flanders, photo Hugo Maertens
Media ID 28434508
© Art in Flanders, photo Hugo Maertens / Bridgeman Images
Alexandre Cabanel Fanning Furs Leopard Luxury Poisoned Poisoning Queen Of Egypt Dying Maid Prisoner
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EDITORS COMMENTS
In this photo print, we are transported back to the late 19th century and immersed in a scene of historical intrigue. Alexandre Cabanel's "Cleopatra Testing Out Poison on Condemned Prisoners" is a masterpiece that showcases the artist's skill and attention to detail. The painting depicts Cleopatra, the legendary queen of Egypt, seated on an ornate throne adorned with leopard furs. She holds a fan in one hand while watching intently as her servant administers poison to condemned prisoners within the confines of an ancient temple. The opulent architecture surrounding them adds to the sense of grandeur and luxury. Cabanel's work falls under the category of l'art pompier, which refers to academic painting from this period. Despite being labeled derisively, this piece exemplifies his mastery in capturing both emotion and narrative through art. The composition draws us into Cleopatra's world as she tests out deadly concoctions on unfortunate souls. The contrast between her regal demeanor and their impending doom creates a tension that captivates viewers. This print allows us to appreciate not only Cabanel's artistic prowess but also provides insight into historical events and cultural aesthetics during this era. It serves as a reminder that art has always been a powerful medium for storytelling and preserving history for generations to come.
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