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Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne

Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne


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Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne

ICA4854166 Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne, Laval Pierre - Illustration by Paul Iribe (1883-1935) by Iribe, Paul (1883-1935); (add.info.: Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne, Laval Pierre - Illustration by Paul Iribe (1883-1935)); Photo eCaricadoc; French, out of copyright

Media ID 22826400

© Caricadoc / Bridgeman Images

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EDITORS COMMENTS
This print titled "Le Temoin, Satirique en Couleurs, 1934_12_2: Anticommunism - Marianne" showcases an intriguing illustration by Paul Iribe. The artwork depicts a satirical take on the theme of anticommunism, featuring the iconic French symbol of Marianne. Iribe's unique style is evident in this piece, as he skillfully combines bold lines and vibrant colors to create a visually striking image. The attention to detail is remarkable, with every element meticulously crafted to convey the artist's intended message. The central figure of Marianne stands tall and proud, representing France herself. Clad in her traditional attire and adorned with symbolic accessories such as the Phrygian cap and tricolor sash, she embodies the spirit of liberty and democracy. However, it is through Iribe's clever satire that we see Marianne portrayed in an anticommunist context. Through his artistry, Iribe invites viewers to contemplate political ideologies prevalent during that era while simultaneously showcasing his own artistic prowess. This thought-provoking piece serves as a testament to both historical events and artistic expression. Preserved through time by Fine Art Finder's collection from Bridgeman Images, this print allows us to appreciate Iribe's contribution to visual storytelling during the early 20th century. It offers a glimpse into an era marked by social tensions and political debates while celebrating art as a powerful medium for commentary and reflection.

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