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The Priory Church, Tynemouth, 1790 (pencil & watercolour)
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The Priory Church, Tynemouth, 1790 (pencil & watercolour)
7290959 The Priory Church, Tynemouth, 1790 (pencil & watercolour) by Dayes, Edward (1763-1804); 51.6x39.6 cm; Tyne & Wear Archives & Museums; (add.info.: Edward Dayes (1763-1804 The Priory Church, Tynemouth, 1790 pencil & watercolour Height 51.6 x Width 39.6 cm bottom centre : inscription : signed, dated, pen and ink : E. Dayes 1790 TWCMS : B7445
The fortified Priory was built in the 13th and 14th centuries and closed in 1538. Hundreds of years earlier, this area had been the burial place of Oswin and Osred, kings of Northumbria. In the late 18th century, some artists and scholars became interested in Britains ancient heritage. This picture was reproduced in engraving to illustrate John Brittons Architectural Antiquities of Great Britain, published 1807-26.); Tyne & Wear Archives & Museums
Media ID 26407368
© Tyne & Wear Archives & Museums / Bridgeman Images
Arches Cloister Dilapidation Gothic Art Gothic Style Monastery Newcastle Newcastle On Tyne Northumberland Northumbria Northumbrian Old Ruin Priory Ruination Ruinous Watercolors Watercolour Paint Art Style Britisch Britisch Landcape Landscaoe Without Anyone Without People
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EDITORS COMMENTS
The Priory Church, Tynemouth, 1790" is a stunning pencil and watercolour print by Edward Dayes. This artwork measures 51.6x39.6 cm and is housed in the Tyne & Wear Archives & Museums collection. The focal point of this piece is the fortified Priory Church, which was constructed during the 13th and 14th centuries before its closure in 1538. The church holds historical significance as it served as the burial place for Oswin and Osred, kings of Northumbria. During the late 18th century, artists and scholars developed a keen interest in Britain's ancient heritage, leading to an increased focus on architectural antiquities. "The Priory Church, Tynemouth" became widely recognized when it was reproduced as an engraving for John Britton's publication "Architectural Antiquities of Great Britain" released between 1807-1826. Edward Dayes expertly captures the gothic beauty of this monument with delicate brushstrokes and vivid colours. The painting showcases intricate arches that add depth to the composition while highlighting the unique art movement prevalent during this time period. This enchanting landscape painting transports viewers back to early eighteenth-century England. It portrays a dilapidated ruin without any people present, allowing us to appreciate both its historical significance and aesthetic charm. Colin Davison's photograph beautifully preserves this remarkable work of art from Fine Art Finder for all art enthusiasts to admire.
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