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Breton Women (Bretonnes), 1895 (litho)

Breton Women (Bretonnes), 1895 (litho)


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Breton Women (Bretonnes), 1895 (litho)

1072233 Breton Women (Bretonnes), 1895 (litho) by Cottet, Charles (1863-1925); 14.9x20.3 cm; Dallas Museum of Art, Texas, USA; Beatrice and Patrick Haggerty Acquisition Fund, the Jolesch Acquisition Fund, The Roberta Coke Camp Fund, and contributions in memory of Richard D. Haynes; French, out of copyright

Media ID 22214518

© Beatrice and Patrick Haggerty Acquisition Fund, the Jolesch Acquisition Fund, The Roberta Coke Camp Fund, and contributions in memory of Richard D. Haynes / Bridgeman Images

Breton


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EDITORS COMMENTS
This black and white lithograph, titled "Breton Women (Bretonnes), 1895" by Charles Cottet, transports us to the enchanting region of Brittany in France. The print measures 14.9x20.3 cm and is housed at the Dallas Museum of Art in Texas, USA. In this mesmerizing artwork, a group of Breton women don their traditional dresses, proudly showcasing their cultural heritage. Each woman exudes grace and strength as they stand together against a backdrop that hints at the rugged beauty of their homeland. Cottet's attention to detail is evident in every stroke of his engraving technique. He skillfully captures the intricate patterns and textures of the women's costumes, emphasizing their rich history and unique identity within French culture. The composition invites us to explore not only the physical appearance but also the inner world of these Breton women. Their expressions convey a sense of resilience and determination while simultaneously evoking a quiet elegance that transcends time. As we gaze upon this remarkable piece from Bridgeman Images' collection, we are reminded of the power art holds in preserving traditions and celebrating diversity. It serves as a poignant reminder that even though years have passed since its creation, it continues to captivate viewers with its timeless beauty. Through generous contributions from various funds dedicated to supporting artistic acquisitions like Beatrice and Patrick Haggerty Acquisition Fund or The Roberta Coke Camp Fund along with contributions made in memory Richard D. Haynes; this extraordinary piece

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