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Portrait of an Echevin (Alderman) of the Town of Paris, c. 1725 (oil on canvas)
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Portrait of an Echevin (Alderman) of the Town of Paris, c. 1725 (oil on canvas)
990177 Portrait of an Echevin (Alderman) of the Town of Paris, c.1725 (oil on canvas) by Troy, Francois de (1645-1730); 92.5x72.6 cm; Private Collection; (add.info.: Portrait of an Echevin (Alderman) of the Town of Paris. Jean-Francois de Troy (1679-1752). Oil on canvas. Painted circa 1725. 92.5 x 72.6cm.); Photo eChristies Images; French, out of copyright
Media ID 22307010
© Christie's Images / Bridgeman Images
1720s 1725 Alderman Aversion Brown Brown Colour Early Eighteenth Century Ile De France Jean Francois Looking Away Neo Classic Neo Classicism Neoclassic Neoclassical Art Neoclassicism Old Master Paintings One Man Only Outer Garment Robe Troy Turning Away Artist French Ethnic Origin Francois De Troy French Art French Artist Jean François De Troy Portrait Style Portraiture
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EDITORS COMMENTS
This portrait, titled "Portrait of an Echevin (Alderman) of the Town of Paris" is a masterpiece by French artist Jean-Francois de Troy. Painted around 1725, this oil on canvas artwork measures 92.5x72.6 cm and is currently held in a private collection. The painting showcases a distinguished middle-aged man dressed in elegant attire, characteristic of the early 18th century. The subject's gaze looks away from the viewer, evoking a sense of mystery and intrigue. His posture exudes confidence and authority, befitting his role as an alderman. De Troy's mastery in capturing intricate details can be seen in the fine rendering of the man's clothing and wig, showcasing his skill as an old master painter. The use of brown tones adds warmth to the composition while highlighting the subject's features. This neoclassical artwork reflects both French artistry and European influences prevalent during that period. It exemplifies De Troy's ability to create lifelike portraits that convey not only physical appearance but also personality and status. As we admire this remarkable piece from the early eighteenth century, we are transported back in time to witness a moment frozen forever on canvas – a testament to De Troy's talent as well as providing us with insight into historical figures such as this influential alderman from Paris.
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