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Dorothea of Caesarea or Dorothy (from Virgin and Child Polyptych) - Detrempe on wood

Dorothea of Caesarea or Dorothy (from Virgin and Child Polyptych) - Detrempe on wood


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Dorothea of Caesarea or Dorothy (from Virgin and Child Polyptych) - Detrempe on wood

LRI4579081 Dorothea of Caesarea or Dorothy (from Virgin and Child Polyptych) - Detrempe on wood, 14th century by Lorenzetti, Ambrogio (1285-c.1348); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: Virgin and Child Polyptych (Virgin with child) saint Dorothee (Dorothea of Caesarea or Dorothy) - Painting by Ambrogio Lorenzetti (1285-1348) 14th century Siena, Pinacoteca Nazionale); Luisa Ricciarini; Italian, out of copyright

Media ID 23721706

© Luisa Ricciarini / Bridgeman Images

Trecento Aureole


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EDITORS COMMENTS
This print showcases the exquisite artwork of Ambrogio Lorenzetti, a renowned Italian painter from the 14th century. Titled "Dorothea of Caesarea or Dorothy (from Virgin and Child Polyptych)", this detrempe on wood piece is housed in the Pinacoteca Nazionale in Siena, Tuscany, Italy. The painting depicts a scene from the Virgin and Child Polyptych, with Saint Dorothea (also known as Dorothee) featured prominently. The artist's attention to detail is evident in every brushstroke, capturing the ethereal beauty of both the holy figures and their surroundings. Lorenzetti's use of vibrant colors brings life to this medieval masterpiece. The aureole surrounding Saint Dorothea adds an aura of divinity to her presence, while delicate flowers symbolize purity and grace. This religious portrait exudes a sense of reverence that transcends time. Luisa Ricciarini skillfully captures this iconic artwork through her lens, preserving its rich history for generations to come. Her photographic interpretation allows viewers to appreciate not only Lorenzetti's artistic genius but also Ricciarini's own talent in capturing fine art. As we gaze upon this print, we are transported back to an era when art was used as a medium for spiritual expression. It serves as a reminder of the enduring power that religious paintings held during the Middle Ages and continues to hold today.

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