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Portrait du maire de Haarlem. (Portrait of the mayor of Haarlem). L homme tient dans sa main une petite boussole. Peinture de Pieter Nason (1612-1688), 1664. Peinture hollandaise, style baroque. Huile sur toile
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Portrait du maire de Haarlem. (Portrait of the mayor of Haarlem). L homme tient dans sa main une petite boussole. Peinture de Pieter Nason (1612-1688), 1664. Peinture hollandaise, style baroque. Huile sur toile
FIA5364583 Portrait du maire de Haarlem. (Portrait of the mayor of Haarlem). L homme tient dans sa main une petite boussole. Peinture de Pieter Nason (1612-1688), 1664. Peinture hollandaise, style baroque. Huile sur toile. Regional Art Gallery, Tambov, Russie by Nason, Pieter (c.1612-90); Regional Art Gallery, Tambov; Photo © Fine Art Images
Media ID 24740264
© Fine Art Images / Bridgeman Images
Compass Netherlands Holland Dutch Thing
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EDITORS COMMENTS
This portrait, titled "Portrait du maire de Haarlem" or "Portrait of the mayor of Haarlem" is a masterpiece by Pieter Nason. Created in 1664 during the Dutch Baroque period, this oil on canvas painting showcases the exquisite talent and attention to detail that characterized Nason's work. The subject of the portrait is an esteemed mayor from Haarlem, his identity forever preserved through this stunning piece of art. In his hand, he delicately holds a small compass, perhaps symbolizing his role as a leader guiding his city towards prosperity and success. Nason's mastery shines through in every brushstroke, capturing not only the physical likeness but also the essence and personality of the mayor. The rich colors used in this painting add depth and dimension to both the man and his surroundings. Displayed at the Regional Art Gallery in Tambov, Russia, this artwork serves as a testament to Nason's enduring legacy. Its presence invites viewers to step back into history and appreciate not only its aesthetic beauty but also its historical significance. As we gaze upon this remarkable piece of Dutch artistry, we are transported back to a time when portraits were more than just images; they were windows into people's lives and stories.
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