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Spring Painting by Giuseppe Arcimboldo (1527-1593). 1589. Madrid
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Spring Painting by Giuseppe Arcimboldo (1527-1593). 1589. Madrid
LRI4662830 Spring Painting by Giuseppe Arcimboldo (1527-1593). 1589. Madrid. Real Academy of Bellas Artes de San Fernando, Madrid by Arcimboldo, Giuseppe (1527-93); Real Academia de Bellas Artes de San Fernando, Madrid, Spain; (add.info.: Spring Painting by Giuseppe Arcimboldo (1527-1593). 1589. Madrid. Real Academy of Bellas Artes de San Fernando, Madrid); Luisa Ricciarini; Italian, out of copyright
Media ID 23719410
© Luisa Ricciarini / Bridgeman Images
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EDITORS COMMENTS
The print captures Giuseppe Arcimboldo's "Spring Painting" a masterpiece created in 1589 and housed at the Real Academy of Bellas Artes de San Fernando in Madrid. This unique artwork showcases Arcimboldo's extraordinary talent for combining elements from nature to create human portraits. In this particular painting, Arcimboldo skillfully arranges an assortment of vibrant flowers, leaves, and other botanical elements to form the face of a woman. The delicate petals serve as her flowing hair while blossoms and foliage make up her facial features. It is a stunning example of allegorical art that symbolizes the arrival of spring. Luisa Ricciarini expertly captured this enchanting piece through her lens, allowing viewers to appreciate every intricate detail. The colors are vivid and lively, reflecting the joyous spirit of the season. Through Ricciarini's photograph, one can almost feel the warmth and freshness associated with springtime. Giuseppe Arcimboldo was renowned for his imaginative approach to portraiture during the Renaissance period. His ability to transform ordinary objects into extraordinary compositions continues to captivate audiences centuries later. This print serves as a testament not only to Arcimboldo's artistic genius but also Luisa Ricciarini's skillful photography. It invites us into a world where nature intertwines seamlessly with humanity, reminding us of the beauty found in both art and life itself.
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