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"Representation du roi de Lydie Candaule (ou Caudale)"Le roi montre sa femme nue a son confident Gyges, cache dans l ombre au moment ou elle se deshabille dans la chambre a coucher
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"Representation du roi de Lydie Candaule (ou Caudale)"Le roi montre sa femme nue a son confident Gyges, cache dans l ombre au moment ou elle se deshabille dans la chambre a coucher
FIA5343768 " Representation du roi de Lydie Candaule (ou Caudale)" Le roi montre sa femme nue a son confident Gyges, cache dans l ombre au moment ou elle se deshabille dans la chambre a coucher. Peinture de Jean Leon Gerome (1824-1904) Apres 1859 Musee Pouchkine, Moscou by Gerome, Jean Leon (1824-1904); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images
Media ID 24710906
© Fine Art Images / Bridgeman Images
Back Bedroom Curiosity Great Bed Naked Woman Voyeurism Beds Furnish Greece Greek Home Furnishing Mythological Figure Piece Of Furniture Upholstered Goods
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EDITORS COMMENTS
The print captures a captivating painting titled "Representation du roi de Lydie Candaule (ou Caudale)" by Jean Leon Gerome. The artwork depicts an intriguing scene from Greek mythology, where the king of Lydia, Candaules, reveals his naked wife to his trusted confidant Gyges. As she undresses in their bedroom, Gyges lurks in the shadows, witnessing this intimate moment. Gerome's mastery is evident in the composition and attention to detail. The rich colors and textures of the bed and furniture create a luxurious setting for this clandestine encounter. The woman's body is portrayed with grace and sensuality as she stands with her back turned towards us, adding an air of mystery to her identity. This painting explores themes of voyeurism and curiosity while delving into ancient tales of power dynamics within relationships. It invites viewers to contemplate the boundaries between privacy and exposure, trust and betrayal. Displayed at the Pushkin Museum in Moscow, this piece exemplifies Gerome's skillful storytelling through artistry. Its historical significance lies not only in its portrayal of mythological figures but also in its representation of 19th-century French artistic style. As we gaze upon this print, we are transported back in time to witness a moment both intimate and provocative—a testament to Gerome's ability to captivate audiences through his masterful brushstrokes.
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