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Portrait en frontispiece de Raynal - in "Philosophical
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Portrait en frontispiece de Raynal - in "Philosophical
LSE4087502 Portrait en frontispiece de Raynal - in " Philosophical and Political History of European Settlements and Trade in the Two Indes" by Guillaume Thomas Raynal. by Unknown artist, (18th century); Schoelcher Library, Fort-de-France, Martinique; (add.info.: Portrait en frontispiece de Raynal - in " Philosophical and Political History of European Settlements and Trade in the Two Indes" by Guillaume Thomas Raynal.); Photo eLeonard de Selva; out of copyright
Media ID 23731308
© Leonard de Selva / Bridgeman Images
Bondman Enslavement Frontispiece Raynal
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This print showcases a frontispiece portrait of Raynal, the renowned French abbot and author, featured in his groundbreaking work "Philosophical and Political History of European Settlements and Trade in the Two Indes". The unknown artist behind this 18th-century engraving skillfully captures Raynal's essence, allowing us to glimpse into the mind of an influential figure during that era. The image is housed within the Schoelcher Library in Fort-de-France, Martinique. Its historical significance cannot be overstated as it represents a pivotal moment in European history when colonialism and enslavement were prevalent. This frontispiece serves as a visual representation of Raynal's ideas on these topics. The intricate details captured by Leonard de Selva's photography highlight not only the artistic mastery but also the emotional depth conveyed through this engraving. It evokes contemplation about human bondage, freedom, and societal structures that shaped our world centuries ago. As we delve into this image, we are reminded of how art can transcend time and provoke meaningful discussions about our past. It prompts us to reflect on both the progress made since then and the ongoing struggles for equality today. This photograph invites viewers to explore history through a different lens while appreciating its aesthetic beauty alongside its intellectual weight.
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