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Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien
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Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien
5617132 Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien (1874-1925). Lilian is considered as the father of Zionist iconography, created in the Jugendstil (German art nouveau) style. He illustrated Juda (1900), a book of biblical poetry by a Christian friend, Borries Freiherr von Munchausen. by Lilien, Ephraim Moses (1874-1925); (add.info.: 02/02/1900); Universal History Archive/UIG; Polish, out of copyright
Media ID 22565886
© Universal History Archive/UIG / Bridgeman Images
1900 Adam Borries Freiherr Von Munchausen Ephraim Moses Lilien Innocence Judah Jugendstil Lilian Juda
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This print showcases "Adam and Eve (innocence)" from the book Judah, beautifully illustrated by Ephraim Moses Lilien. Lilien, often hailed as the father of Zionist iconography, employed the Jugendstil style, also known as German art nouveau, to create this masterpiece. The image depicts Adam and Eve in their state of pure innocence before succumbing to temptation. Lilien's attention to detail is evident in every brushstroke, capturing the essence of these biblical figures with remarkable precision. The tenderness between Adam and Eve is palpable as they stand amidst a lush garden paradise. Judah (1900), a collection of biblical poetry penned by his Christian friend Borries Freiherr von Munchausen, served as inspiration for Lilien's illustrations. Through his artwork, he brings to life the verses that explore themes of faith and spirituality. Lilien's unique fusion of art nouveau aesthetics with Jewish symbolism resulted in an iconic representation that resonated deeply within the Zionist movement. His work not only celebrated Jewish heritage but also played a significant role in shaping its visual identity during this period. This particular photograph print captures Lilien's artistic prowess flawlessly while paying homage to his contribution to both religious art and cultural history. It serves as a testament to his ability to transcend boundaries through creativity and remains an enduring symbol of beauty and innocence intertwined with profound spiritual narratives.
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