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A Boy with a Cat, Morning, 1787 (oil on canvas)
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A Boy with a Cat, Morning, 1787 (oil on canvas)
5667219 A Boy with a Cat, Morning, 1787 (oil on canvas) by Gainsborough, Thomas (1727-88); 150.5 x 120.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: An 18th century " fancy picture" showing peasant children in a rustic setting, inspired by the earlier Spanish artist Murillo (see XOS 5667219).
Jack Hill, shown here, was a professional beggar whom Gainsborough took into his house as a model.); English, out of copyright
Media ID 23273402
© Bridgeman Images
Dawn Deprivation Romanticism Rustic Sentimental
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A Boy with a Cat, Morning
EDITORS COMMENTS
is a captivating oil painting by Thomas Gainsborough that transports viewers to the rustic countryside of 18th century England. This "fancy picture" depicts two peasant children in a sentimental and romanticized setting, drawing inspiration from the works of Spanish artist Murillo. The focal point of the painting is young Jack Hill, an impoverished boy who found refuge in Gainsborough's home as his model. The artist skillfully captures the innocence and vulnerability of this child against a backdrop of poverty and deprivation. With delicate brushstrokes, Gainsborough portrays the bond between Jack and his feline companion, emphasizing their shared solitude amidst nature's dawn. The composition exudes elements of Georgian portraiture while embracing themes commonly associated with Romanticism. Through this piece, Gainsborough invites us to reflect on the lives of those living on society's fringes during this era. Displayed at the Metropolitan Museum of Art in New York City, this remarkable artwork serves as a poignant reminder that even within hardship, beauty can be found. It speaks volumes about both English history and artistic mastery – capturing not only our attention but also our hearts. This print from Fine Art Finder allows us to bring home a piece of art history that embodies both empathy for marginalized communities and admiration for timeless craftsmanship.
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