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Illustration of Eugene Damblans (1865-1945) in Le Pelerin

Illustration of Eugene Damblans (1865-1945) in Le Pelerin


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Illustration of Eugene Damblans (1865-1945) in Le Pelerin

ICA4857036 Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 09/04/05 - By a fifty-kilometre long avenue of Pines, Japanese pelerins go to Nikko, their holy city - Religion Faith, Japan, Fashion, Tree, Nikko - Pelerinages by Damblans, Eugene (1865-1945); (add.info.: Illustration of Eugene Damblans (1865-1945) in Le Pelerin, 09/04/05 - By a fifty-kilometre long avenue of Pines, Japanese pelerins go to Nikko, their holy city - Religion Faith, Japan, Fashion, Tree, Nikko - Pelerinages); Photo eCaricadoc; Uruguayan, out of copyright

Media ID 23338868

© Caricadoc / Bridgeman Images

Believer Kimono Parasol Pelerinage Asian Asian Caricadoc Journalism Years 1900


FEATURES IN THESE COLLECTIONS

> Animals > Insects > Beetles > Pine Engraver

> Asia > Japan > Related Images

> Fine Art Finder > Artists > Eugene Damblans

> Fine Art Finder > Artists > Matthias (c.1600-p.1650) Stomer

> South America > Uruguay > Related Images


EDITORS COMMENTS
This print captures an illustration by Eugene Damblans (1865-1945) featured in Le Pelerin, a renowned publication. The artwork depicts a scene from Japan, where Japanese pilgrims embark on their sacred journey to Nikko, the holy city. Along a magnificent fifty-kilometer avenue of towering pines, these devoted believers make their way with deep reverence and faith. The image showcases the fusion of religion, fashion, and nature in Japan during this period. The traditional costumes worn by the pilgrims are beautifully depicted in vibrant colors and intricate details. Adorned in kimonos and carrying parasols, they symbolize both tradition and elegance. Damblans' engraving skillfully captures the essence of this pilgrimage ritual that has been practiced for centuries. It offers us a glimpse into Japanese customs and traditions during the early 20th century. The illustration also highlights the influence of French artistry on Japanese culture at that time. This cross-cultural exchange is evident through Damblans' unique style combined with elements specific to Japan's rich heritage. As we admire this remarkable piece of art captured by eCaricadoc photography, we are transported back to an era when newspapers served as windows to distant lands and diverse cultures. This image serves as a testament to journalism's power to educate and inspire curiosity about different parts of our world.

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