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Christ prays in the Garden of Olives. Detail. Predelle of the altarpiece of San Zeno de
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Christ prays in the Garden of Olives. Detail. Predelle of the altarpiece of San Zeno de
LRI4608407 Christ prays in the Garden of Olives. Detail. Predelle of the altarpiece of San Zeno de Verona. Painting (tempera) on wood by Andrea Mantegna (1431-1506), 1456. Dim. 70x92 cm. Tours, Fine Arts Museum. by Mantegna, Andrea (1431-1506); Musee des Beaux-Arts, Tours, France; (add.info.: Christ prays in the Garden of Olives. Detail. Predelle of the altarpiece of San Zeno de Verona. Painting (tempera) on wood by Andrea Mantegna (1431-1506), 1456. Dim. 70x92 cm. Tours, Fine Arts Museum.); Luisa Ricciarini; Italian, out of copyright
Media ID 23710144
© Luisa Ricciarini / Bridgeman Images
Olive Olive Garden Olivier Quattrocento
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EDITORS COMMENTS
This print captures a mesmerizing detail from Andrea Mantegna's altarpiece of San Zeno de Verona. Titled "Christ prays in the Garden of Olives" this painting depicts a profound moment in biblical history. The predelle, or lower panel, showcases Christ deep in prayer amidst the serene surroundings of an olive garden. Mantegna's meticulous brushwork and use of tempera on wood bring this scene to life with remarkable clarity and depth. The dimensio0ns of 70x92 cm allow for intricate details to be appreciated up close, revealing the artist's mastery. The composition is enriched by the presence of an angel standing beside Jesus, offering solace and support during his time of anguish. The towering tree branches overhead create a sense of enclosure, emphasizing the isolation and intensity felt by Christ as he prepares for his crucifixion. This Quattrocento masterpiece not only showcases Mantegna's technical skill but also highlights his ability to convey emotion through art. It serves as a powerful reminder of Christ's humanity and unwavering faith even in moments of great distress. Displayed at the Fine Arts Museum in Tours, France, this print allows viewers to experience firsthand the beauty and significance that religious art holds within its brushstrokes.
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