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Arab on Horseback, c.1800 (pen, ink, w/c & gouache)
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Arab on Horseback, c.1800 (pen, ink, w/c & gouache)
XOS5884383 Arab on Horseback, c.1800 (pen, ink, w/c & gouache) by Vernet, Horace (1789-1863); 39.1x31.9 cm; Cleveland Museum of Art, OH, USA; (add.info.: By Horace Vernet)
Media ID 33393634
© Bridgeman Images
Art Fine Art Horace Vernet One Animal Only One Animal Outdoor Setting Vernet Horace 1789 1863 Water Color Water Colour Watercolors Watercolour Paint 19e Siecle 19th Century 19th C Only One Person
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This print titled "Arab on Horseback, c. 1800" by Horace Vernet showcases the artist's incredible talent in pen, ink, watercolor, and gouache. The artwork measures 39.1x31.9 cm and is housed in the prestigious Cleveland Museum of Art in Ohio, USA. Vernet masterfully captures the essence of a horseback-riding Arab man from the early 19th century. The white-colored horse stands out against the vibrant backdrop created with skillful use of colors and shading techniques. The profile view adds an air of mystery to the portrait as we catch a glimpse of this masculine figure immersed in his surroundings. The artist's attention to detail is evident in every stroke; each line contributes to creating a lifelike representation that brings both man and animal to life on paper. This drawing exemplifies Vernet's ability to capture movement and emotion within his works of art. Set against an outdoor backdrop, this piece transports us into another time and place where we can almost feel the wind blowing through our hair as we ride alongside this solitary figure. It invites us to imagine ourselves experiencing the freedom and power that comes with horse riding. As we admire this remarkable artwork, it serves as a reminder of how art has always been able to transcend time, allowing us glimpses into different eras while evoking emotions that are timeless. Bridgeman Images has once again provided us with access to exceptional pieces like "Arab on Horseback" reminding us why fine art continues to captivate audiences across generations.
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