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Empress Eugenie (1826-1920, nee Eugenia Maria de Montijo de Guzman) NapoleonIII's wife, here as a crane, caricature by Paul Hadol aka White from "La menagerie imperiale"
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Empress Eugenie (1826-1920, nee Eugenia Maria de Montijo de Guzman) NapoleonIII's wife, here as a crane, caricature by Paul Hadol aka White from "La menagerie imperiale"
1728594 Empress Eugenie (1826-1920, nee Eugenia Maria de Montijo de Guzman) NapoleonIII's wife, here as a crane, caricature by Paul Hadol aka White from "La menagerie imperiale" by Hadol, Paul (1835-1875); (add.info.: Empress Eugenie (1826-1920, nee Eugenia Maria de Montijo de Guzman) NapoleonIII's wife, here as a crane, caricature by Paul Hadol aka White from "La menagerie imperiale")
Media ID 28652747
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EDITORS COMMENTS
This print showcases Empress Eugenie, the wife of Napoleon III, depicted as a crane in a caricature by Paul Hadol, also known as White. The artwork is part of "La menagerie imperiale" a collection that humorously portrays members of the imperial family. Empress Eugenie (1826-1920), born Eugenia Maria de Montijo de Guzman, was an influential figure in French history. In this portrayal, she assumes the form of a majestic crane, symbolizing grace and elegance. The artist's clever interpretation adds a touch of whimsy to her regal persona. The vibrant colors and intricate details captured in this engraving bring life to the image. It serves as both a historical document and an artistic expression from the 19th century era. This portrait provides us with insight into the royal family dynamics during that time. As we gaze upon this print, we are transported back to an era filled with opulence and grandeur. It reminds us of Empress Eugenie's significant role alongside her husband during their reign over France. Bridgeman Images has once again curated an exceptional piece from their Fine Art Finder collection. Through their dedication to preserving historical artworks like this one, they allow us to appreciate and learn from our rich cultural heritage without commercial intent or mention. In summary, this remarkable print captures Empress Eugenie's essence through Paul Hadol's imaginative depiction of her as a crane—a testament to both her influence on
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