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Virgin and Child, detail. The face of the virgin mary covered with a transparent fabric and a hood made of red fabric. Detail of the portrait of the Virgin and Child. Painting by Giovanni Del Biondo (ca. 1356-1398). Polyptych. Italian altarpiece
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Virgin and Child, detail. The face of the virgin mary covered with a transparent fabric and a hood made of red fabric. Detail of the portrait of the Virgin and Child. Painting by Giovanni Del Biondo (ca. 1356-1398). Polyptych. Italian altarpiece
JEB4897715 Virgin and Child, detail. The face of the virgin mary covered with a transparent fabric and a hood made of red fabric. Detail of the portrait of the Virgin and Child. Painting by Giovanni Del Biondo (ca. 1356-1398). Polyptych. Italian altarpiece. Dim: 140x80cm. Oil on wood. Cathedrale Sainte Cecile, Albi. by Giovanni del Biondo dal Casentino (c.1356-99); (add.info.: Virgin and Child, detail. The face of the virgin mary covered with a transparent fabric and a hood made of red fabric. Detail of the portrait of the Virgin and Child. Painting by Giovanni Del Biondo (ca. 1356-1398). Polyptych. Italian altarpiece. Dim: 140x80cm. Oil on wood. Cathedrale Sainte Cecile, Albi.); © Jean Bernard. All rights reserved 2022
Media ID 25233866
© Jean Bernard. All rights reserved 2022 / Bridgeman Images
Transparency Trecento Jeanbernard
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Giovanni Del Biondo's polyptych, "Virgin and Child". The focal point of the image is the face of the Virgin Mary, delicately covered with a transparent fabric and adorned with a hood made of vibrant red fabric. Giovanni Del Biondo, an Italian artist from the 14th century, masterfully captures the essence of this biblical figure in his painting. The Virgin Mary's serene expression shines through despite her face being partially concealed. Her eyes exude compassion and wisdom as she gazes upon her divine child. The use of transparency adds an ethereal quality to this artwork, allowing glimpses into the inner emotions and spirituality of Mary. It invites viewers to contemplate her role as both a mother and a symbol of faith. Displayed within Albi's Cathedrale Sainte Cecile, this Italian altarpiece stands at an impressive size of 140x80cm. Painted with oil on wood, it exemplifies Del Biondo's skillful technique and attention to detail. Jean Bernard expertly captures this momentous artwork through his lens, preserving its beauty for all to admire. This photograph serves as a testament to the enduring power and significance that religious art holds throughout history.
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