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Adoration of the Magi, Triptych, Right panel, painting on wood

Adoration of the Magi, Triptych, Right panel, painting on wood


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Adoration of the Magi, Triptych, Right panel, painting on wood

6261669 Adoration of the Magi, Triptych, Right panel, painting on wood by Vos, Maarten de (1532-1603); Cathedral treasure, Cathedrale Notre-Dame, Tournai, Hainaut, Belgium; (add.info.: Inscription on central panel above: SIC DEUS DILEXIT, VT FILIUM SVVM VNIGENITVUM DARET IOANNIS ?. Inscription on central panel at the foot: HIC EST DNS, HOC PRAESEPE, QVO NOBIS DIVINV MYSTERIU RELEVATU EST Abro in cap bicoz (?).
Creator: Martin De Vos (1531-1604)); ePaul Maeyaert; Flemish, out of copyright

Media ID 23011898

© Paul Maeyaert / Bridgeman Images

Cultural Heritage Hainaut Museum Private Collection Techniques Tournai Tresor De La Cathedrale


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EDITORS COMMENTS
This print showcases the right panel of the "Adoration of the Magi" triptych, a remarkable painting on wood by Maarten de Vos. The artwork is housed in the Cathedral Notre-Dame in Tournai, Belgium, adding to its historical and cultural significance. The intricate details and vibrant colors of this masterpiece are beautifully captured in this photograph. The right panel depicts a scene filled with awe and reverence as the Three Wise Men pay homage to baby Jesus. The inscription above reads "SIC DEUS DILEXIT, VT FILIUM SVVM VNIGENITVUM DARET IOANNIS ?" which translates to "Thus God loved that He gave His only begotten Son". At the foot of the central panel, another inscription states "HIC EST DNS, HOC PRAESEPE, QVO NOBIS DIVINV MYSTERIU RELEVATU EST Abro in cap bicoz (?)" meaning "Here is our Lord; here is His manger; through which divine mystery has been revealed". Martin De Vos's exceptional talent shines through every brushstroke in this piece. It transports viewers back in time and allows them to witness an important moment from biblical history. As a part of a private collection within the museum's treasure trove, this painting serves as a testament to Europe's rich artistic heritage. Its presence evokes both admiration for De Vos's skill and gratitude for preserving such masterpieces for generations

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