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Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault

Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault


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Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault

3950109 Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 25.2x29.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume II, Males (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23259782

© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images

Acrobat Acrobatic Animal Locomotion Athletic Early Motion Picture Sequence Frames Gymnast Gymnastic Jump Jumping Leap Leaping Loincloth Motion Pelvis Cloth Sequence Sequential Somersault Spin Spinning Stop Motion B W Photo Black And White Photograph


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EDITORS COMMENTS
This photograph, titled "Plate 522. A, 97 Jumping; B, 98 Handspring; C, 98 Somersault" captures a mesmerizing sequence of motion frozen in time. Taken by the renowned photographer Eadweard Muybridge between 1872 and 1885 as part of his groundbreaking project "Animal Locomotion" this collotype print showcases the beauty and athleticism of human movement. In this particular frame, we witness a male acrobat defying gravity with astonishing grace and precision. The naked gymnast's body is captured mid-air as he executes a series of impressive maneuvers: jumping, handspringing, and somersaulting. Each action is meticulously documented through stop-motion photography techniques pioneered by Muybridge himself. The scientific nature of this image becomes apparent when considering its context within Muybridge's larger work on animal locomotion. By studying sequential frames like these, scientists were able to gain valuable insights into the mechanics of movement and better understand how living organisms navigate their surroundings. Beyond its scientific significance, however, this photograph also possesses an undeniable artistic quality. The stark contrast between light and shadow emphasizes the sculptural form of the acrobat's body as it twists through space. His athletic prowess is accentuated by the dynamic composition that captures every muscle in tension. With its fusion of science and artistry, this print serves as a testament to both Muybridge's technical innovation and his ability to capture fleeting moments that

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