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Christ Driving the Tradesmen and Money Lenders from the Temple from Passional

Christ Driving the Tradesmen and Money Lenders from the Temple from Passional


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Christ Driving the Tradesmen and Money Lenders from the Temple from Passional

XJF294028 Christ Driving the Tradesmen and Money Lenders from the Temple from Passional Christi und Antichristi by Philipp Melanchthon, published in 1521 (woodcut) (b/w photo) by Cranach, Lucas (1472-1553) (studio of); Private Collection; (add.info.: Philipp Melanchthon (1497-1560); Illustration from a pamphlet which contrasted the life of Christ with that of Pope Leo X; previously thought to be written by Martin Luther (1483-1546); ); German, out of copyright

Media ID 12816331

© www.bridgemanart.com

Driven Ejecting Expulsion Lutheran Lutheranism Moneylenders Protestant Reformation Removing Traders Whip Whipped Casting Out Ejection Northern Renaissance Tradesmen


EDITORS COMMENTS
This print captures the powerful woodcut illustration of "Christ Driving the Tradesmen and Money Lenders from the Temple" from Passional Christi und Antichristi by Philipp Melanchthon, published in 1521. Created by Lucas Cranach, or possibly his studio, this image is a significant piece of art that reflects the Protestant Reformation movement. In this scene, Jesus can be seen forcefully expelling traders and moneylenders from the temple with a whip in hand. The intensity of his actions is palpable as he confronts those who have turned a place of worship into a marketplace. This iconic moment from the New Testament showcases Christ's righteous anger against corruption within religious institutions. The woodcut itself was part of a pamphlet that aimed to contrast the life of Christ with Pope Leo X, initially believed to be authored by Martin Luther. It serves as both an artistic depiction and political statement during a time when religious reform was at its peak. As we delve into this historical artwork, we are reminded not only of its visual impact but also its profound significance within German history. This image represents not just an event from biblical times but also symbolizes resistance against abuses within organized religion during the Northern Renaissance period.

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